SALLOW BEND out now!
SALLOW BEND, my first full-length novel in four years, is here! And it’s early. It was supposed to release on September 2nd, but a bit of a cock up means it’s dropped today. Not a bad thing at all. I am super proud of this creepy small town folk horror book and I really hope you’ll give it a try. And please, please, please do tell friends and family and colleagues (and enemies for that matter) about it. I’d really love to see it do well and word of mouth is incredibly powerful. Even if you only tell one person, the ripple effect can be amazing.
Here’s the blurb:
Something old and deadly has awoken.
When two teenagers go missing from the small, rural town of Sallow Bend, the residents come together to search for them. Little do they suspect that finding the wayward girls will be the start of their problems. An old evil is rising, and only one man seems to realize that everyone is in danger and this is not the first time it’s happened. With the carnival in town, people want to have a good time, but for many, this will be the worst time of their lives.
“(Sallow Bend) is an immersive page-turner where details about the characters and the eerie history of the place are effortlessly fleshed out. Paired with the unceasingly intensifying dread, the story quickly escalates from unsettling to terrifying. Baxter, already an award-winning horror author in his native Australia, seems poised to take over America as well.” – Booklist
“I truly love folk horror if it’s well done, and surely Alan Baxter conjured up something quite magical with his newest book Sallow Bend. It is a story that not only leaves reader’s at the edge of their seat, but also takes quite a few risks, and pulls them off beautifully.” – Julia C. Lewis
“Sometimes when kids get lost in the woods, they come out again. Sometimes that’s not a good thing. Sometimes they’re not alone anymore. Baxter’s Sallow Bend has more than a touch of King about it.” – Angela Slatter, award-winning author of All the Murmuring Bones
You can order from a variety of places, and I’ll update all the links on this page as the book populates out to various vendors. Give me a shout if you’re having any trouble tracking it down. And if you want a signed copy, no problem. You can buy a signed paperback directly from me by clicking right here: https://alanbaxter.com.au/?add-to-cart=16019 If you’re in the US, you can get a paperback directly through the Cemetery Dance website, which is ideal for them.
Otherwise, here are a few store links to get you started:
Direct from the Publisher. (In the US this is a good option, but overseas shipping is killer and you’ll do better to use one of the online stores below.)
Work published in 2022
It’s always good to remind people (and by people, I mostly mean me) of the successes in any given year. It’s important to take stock. I often feel like I’m not working hard enough and, while it’s true I could always work harder, I don’t tend to slack off much, and posting stuff like this helps to keep the doubting brain weasels away. It’s also a good reminder for people looking to nominate work for awards or reading lists to know what came out in any given year. So with that in mind, here’s my 2022 publication record (and thereby my awards eligibility list for all 2023 awards).
THE FALL: Tales From The Gulp 2 – Eligible in Collection
All five stories in The Fall are original too, so they each qualify as Long Fiction (or Novella):
“Gulpepper Curios” (19,340 words)
“Cathedral Stack” (13,160 words)
“That Damn Woman” (18,230 words)
“Excursion Troop” (16,500 words)
“The Fall” (19,850 words)
SALLOW BEND – Eligible in Novel
DAMNATION GAMES – Eligible in Anthology, edited by me. This one should be out around October.
As for short fiction for 2022, that should end up looking like this:
“Counting Tunnels To Berry” – The Hideous Book of Hidden Horrors anthology, ed. Doug Murano (Bad Hand Books, June 2022) – this one is out now.
And then these three should all be out in October:
“The Fiends of Turner’s Creek” – SNAFU: Dead or Alive, ed. A J Spedding (Cohesion Press)
“The Question” – Damnation Games, ed. Alan Baxter (Clan Destine Press)
“The Novak Roadhouse Massacre” – Found, ed. Andrew Cull and Gabino Iglesias
Now that’s not too bad for a year. I’ve also got a new novel out on submission (wish me luck, please!) and I’m about 20,000 words into the next novel.
That’ll do, Pig. That’ll do.
Limited edition Welcome To The Gulp nickel/enamel pin
Check it out. Limited edition #WelcomeToTheGulp nickel/enamel pin. Made with black nickel, so it sometimes looks silver, sometimes black, depending on the light. Only available direct from me (in person or through my site below). They came out better than I expected! There won’t be too many of these, so I’d get in quick if I were you. They’re only AU$10 each, and postage in Australia is only AU$5. I’m more than happy to send them overseas, but the postage is RIDICULOUS! Because they’re not a letter, they have to be sent as a parcel, which means I have to pay about AU$22 or something to post them. You can figure out the postage by clicking the link below and then decide if you’re not sure.
Of course, the easiest option is to get them directly from me at events and hopefully I’ll get out to NZ, the US and the UK again before too long. Any time I travel, I’ll bring some with me, all the time I have any left.
If you have any issues with the online store part, message me and we’ll figure it out!
Get them here: https://alanbaxter.com.au/?add-to-cart=16026
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The Pixel Project’s work to stop Violence Against Women (VAW)
I’m very pleased to be part of the 9th annual Fall Edition of Read For Pixels, featuring live YouTube sessions highlighting award-winning bestselling authors in support of ending violence against women. This September’s Read for Pixels features myself, along with Alastair Reynolds, Bracken MacLeod, Carol Goodman, Daniel H. Wilson, Jenn Lyons, Kathryn Purdie, Kwame Mbalia, Namina Forna, Nghi Vo, Rin Chupeco, Romina Garber, and Tim Lebbon. Each livestream YouTube session will feature an author reading from one of their books and discussing women and girls in their work, why they support ending violence against women, and women in the media, geek culture, and popular culture. Each session will also include a live moderated Q&A segment for fans and book lovers. The sessions will take place on weekends throughout September 2022. All authors have also generously donated a range of goodies to help raise funds for The Pixel Project.
You can read more about the project and explore their website here.
- And here’s the full YouTube Livestream Schedule page for this year’s event, in case you want to see the full Read For Pixels schedule, get instructions on how to watch the livestream session on YouTube, etc: https://www.thepixelproject.
net/community-buzz/read-for- pixels/youtube-live-schedule- attending-live-author- sessions/
A New Era for Novellas on The Indy Author
I had the pleasure of chatting with Matty on The Indy Author again. We discussed novellas! Stuff like:
• How the Novella Is a Fantastic Length for Genre Fiction
• Publishing Novellas Individually or as a Collection
• How eBooks Facilitate Shorter Novellas and Series
• How Short is Too Short?
• Advances from Traditional Publishers
• Publishing a Novella
And more. You can watch the video of the interview below, and there’s a full transcription of the chat here.
Ditmar Awards open for nominations
It’s that time of year again where the Australian Ditmar Awards (our very own mini-Hugos) are open for nominations. These are the fan-voted awards where anyone active in fandom can nominate work they think is worthy. What the hell does “active in fandom” mean? Well, this is something that comes up all the time. If you’ve ever been to a con, or engaged online with readers and writers more than casually, if you review, anything like that, you probably qualify. Basically, if you pay attention in any way to the Australian SFFH scene, even just as a reader, you’re probably eligible to nominate. As the rules state: “Where a nominator may not be known to the Ditmar subcommittee, the nominator should provide the name of someone known to the subcommittee who can vouch for the nominator’s eligibility. Convention attendance or membership of an SF club are among the criteria which qualify a person as ‘active in fandom’, but are not the only qualifying criteria. If in doubt, nominate and mention your qualifying criteria.”
These awards are always under-represented and awards operate best when more people get involved, so if you’re keen to nominate, give it a go. If we’ve ever interacted, feel free to mention me with your nomination.
The current rules, including Award categories, can be found here: https://wiki.sf.org.au/Ditmar_
A partial and unofficial eligibility list, to which everyone is encouraged to add, can be found here: https://wiki.sf.org.au/2022_Ditmar_eligibility_list
And you can do it all online, via this form: https://ditmars.sf.org.au/2022/nominations.html
Am I eligible for any awards? Why, yes, I am, thanks for asking! Here’s what of mine is eligible this time:
THE GULP (13th Dragon Books, self-published, January 2021) is eligible in the Best Collected Work category (I’d love a Ditmar to go along with my Aurealis Award for this book!)
All 5 stories in The Gulp are eligible in Best Novella or Novelette:
“Out on a Rim”, Alan Baxter, in The Gulp, 13th Dragon Books, self-published.
“Mother In Bloom”, Alan Baxter, in The Gulp, 13th Dragon Books, self-published.
“48 To Go”, Alan Baxter, in The Gulp, 13th Dragon Books, self-published.
“The Band Plays On”, Alan Baxter, in The Gulp, 13th Dragon Books, self-published.
“Rock Fisher”, Alan Baxter, in The Gulp, 13th Dragon Books, self-published.
Also eligible in Best Novella or Novelette:
“Ghost Recall”, Alan Baxter, in Ghost Recall (Eli Carver 3), Grey Matter Press.
And I only had a couple of short stories published last year, but these are eligible in Best Short Story:
“Come His Children”, Alan Baxter, in Cthulhu Deep Down Under 3, IFWG Publishing International.
“Nurturing His Nature”, Alan Baxter, in The Bad Book, Bleeding Edge Books.
So if you feel like voting for anything of mine, THANK YOU! And please do vote for anything and everything from 2021 that you think is worthy. As I said at the start, the more people involved, the better the awards reflect the will of the fans. Now I’m off to make my nominations.
Books of Horror!
There’s a great group on Facebook called Books of Horror. Honestly, it’s almost all I do on FB these days, and it makes the whole site a lot more worthwhile. Apart from being one of the most friendly and supportive groups on there, it’s an absolute treasure trove of great book recommendations. One of the members there, Charlie Salt, started posting some truly definitive lists of the group’s recommendations, organised by genre, subject, etc. Rather than risk them being lost in the ever-rolling feed, I offered to host them here. So here they are. Each list is Charlie’s original post (with his comments at the start), and at the end is a link to the post back on Facebook – do follow the links as there are loads more great recommendations in the comments on each one.
SHORT STORY COLLECTIONS & SOME KEY ANTHOLOGIES

https://www.facebook.com/groups/526308964218819/permalink/2008261706023530/
HALLOWEEN BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007439382772429/
COMING OF AGE HORROR/KIDS ON BIKES/STRANGER THINGS STYLE BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007135689469465/
SMALL-TOWN HORROR BOOKS
https://www.facebook.com/groups/526308964218819/permalink/1841908845992151/
SUBURBAN HORROR
https://www.facebook.com/groups/526308964218819/permalink/2007995449383489 /
HAUNTED HOUSE BOOKS
https://www.facebook.com/groups/526308964218819/permalink/1985977418251959/
CORPORATE/WORKPLACE HORROR
https://www.facebook.com/groups/526308964218819/permalink/2007997446049956/
SPACE HORROR BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007461032770264/
CLOWN BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007116842804683/
VAMPIRE BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007131076136593/
WEREWOLF BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007118239471210/
ZOMBIE BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007466636103037/
RAGE VIRUS ZOMBIES
SERIAL KILLER BOOKS
https://www.facebook.com/groups/526308964218819/permalink/2007464082769959/
SLASHER BOOKS

https://www.facebook.com/groups/526308964218819/permalink/1830441433805559/
Again, please note these lists and all the comments are by Charlie Salt on the Books of Horror Facebook group – go and join! Thanks, Charlie.
I WON AN AUREALIS AWARD!
This post is going to be self-indulgent! The Aurealis Awards are Australia’s premiere genre fiction awards. Celebrating all forms of fantasy, science-fiction and horror, they’ve been around since 1995. It’s no lie to admit that ever since I started writing seriously, I’ve coveted one. They really are the pinnacle of peer-recognition outside of the obvious things like publications and book sales. The Aurealis Awards as good as it gets in Australia. They’re judged, so not a popularity award – they truly recognise the cream of SFFH every year. I’ve been incredibly lucky to be recognised as a finalist 11 times, across a range of categories. But I’d never won. Until now.
Back in March, the 2021 Aurealis Awards shortlists were announced and I was blown away to see my name three times. The Gulp was up for Best Collection and two stories from The Gulp – “Mother in Bloom” and “The Band Plays On” – were up for Best Fantasy Novella and Best Horror Novella respectively. (I’ll reprint the full list of finalists and winners at the end of this post.)
On Saturday, there was a big party down in Canberra and for the first time in three years we got to have an in-person awards ceremony. (Check out these fantastic photos from the awesome Cat Sparks.) It was so much fun to be among friends again. I honestly thought I had no chance of winning. Apart from the fact that I’ve become a little bit used to being an Aurealis Awards bridesmaid, the insane quality of work on the shortlists left me with no illusions.
I was fortunate enough to be asked to present the award for Best Science Fiction Short Story and Best Science Fiction Novella. That was a thrill. The announcement for Best Horror Novella came along and that went to “All The Long Way Down” by Alf Simpson. Then Best Fantasy Novella and that went to Bones Of The Sea by Amy Laurens. I’d had quite a few beers by the time legendary horror writer and my good mate, Kaaron Warren, stepped up to present Best Collection. So I honestly had a moment of dizziness and thought I might genuinely keel over when Kaaron read out my name! Looks at these photos – it gives me so much life to see how overjoyed Kaaron was that I won and I honestly couldn’t think of anyone better to receive my first Aurealis Award from:
(Photos by Cat Sparks)
This is one of the real pleasures of the Australian genre writing community – our genuine love for each other and our joy at each other’s successes. Thank you, Kaaron!
I was a blithering mess when I received the award and have no real recollection of what I said. I know I thanked my good mate Joanne Anderton, who did wonderful beta reading of this book. And I know I thanked my wife and kid for their tireless support of what I do. I don’t remember much else – beer and shock will do that to you. Hopefully I didn’t say anything too stupid.
I am so proud and pleased to have finally taken home the shiny here. Especially for this book. Writing The Gulp and The Fall was taking a chance of a kind. Putting them out independently was taking another risk. I am so happy with how well-received they’ve been, I was ecstatic to see The Gulp hit the preliminary ballot for the Stoker Awards, and now it’s won an Aurealis Award. Further proof of the advice we keep giving – write the stories you want to tell. Write what’s burning your heart and your soul, and it’ll find its mark.
Massive respect and thanks to Tehani Croft and all the Aurealis Awards team and judges. You lot are amazing. Thanks to the CSFG for hosting such a mega event. It was SO GOOD to be with friends again. And massive congratulations to all the finalists and winners. Here’s the full list, with the winners in bold.
BEST CHILDREN’S FICTION
The Boy Who Stepped Through Time, Anna Ciddor (Allen & Unwin)
Stellarphant, James Foley (Fremantle Press)
Dragon Skin, Karen Foxlee (Allen & Unwin)
The Curiosities, Zana Fraillon & Phil Lesnie (illustrator) (Hachette Australia)
Elsewhere Girls, Emily Gale & Nova Weetman (Text Publishing)
Barebum Billy, Nicholas Snelling (BAD DAD Publishing)
BEST GRAPHIC NOVEL / ILLUSTRATED WORK
The Curiosities, Zana Fraillon & Phil Lesnie (illustrator) (Hachette Australia)
Treasure in the Lake, Jason Pamment (Allen & Unwin)
Mechanix, Ben Slabak & Edoardo Natalini (Cloud 9 Comix)
Killeroo: Semper Fidelis, Matthew Soall & Ignacio Di Meglio (illustrator) (OzComics)
BEST YOUNG ADULT SHORT STORY
“The Woods Echo Back”, Tania Fordwalker (Beneath Ceaseless Skies #331)
“Don’t Look!”, Lisa Fuller (Hometown Haunts: #LoveOzYA Horror Tales, Wakefield Press)
“Of Slaves and Lions”, Pamela Jeffs (Stories of Survival, Deadset Press)
“Slaughterhouse Boys”, Emma Osborne (Hometown Haunts: #LoveOzYA Horror Tales, Wakefield Press)
“Way-bread Rising”, Tansy Rayner Roberts (Stories of Survival, Deadset Press)
“Hunger”, Marianna Shek (Hometown Haunts: #LoveOzYA Horror Tales, Wakefield Press)
BEST HORROR SHORT STORY
“Don’t Look!”, Lisa Fuller (Hometown Haunts: #LoveOzYA Horror Tales, Wakefield Press)
“Traces of Us, Hot Enough for Dinner”, Ephiny Gale (The Dread Machine 1.3)
“The House that Hungers”, Maria Lewis (Aurealis #146, Chimaera Publications)
“The Quiet Room”, Martin Livings (Midnight Echo #16, The Australasian Horror Writers Association)
“Sins of the Mother”, Tracie McBride (Spawn: Weird Horror Tales About Pregnancy, Birth and Babies, IFWG Publishing Australia)
“Mother Dandelion”, Antoinette Rydyr (Spawn: Weird Horror Tales About Pregnancy, Birth and Babies, IFWG Publishing Australia)
BEST HORROR NOVELLA
When the Cicadas Stop Singing, Zachary Ashford (Horrific Tales Press)
“The Band Plays On”, Alan Baxter (The Gulp, self-published)
“Hell’s Teeth”, Matthew R Davis (Haunted: An Anthology, Specul8 Publishing)
Cryptid Killers, Alister Hodge (Severed Press)
“All The Long Way Down”, Alf Simpson (Cthulhu Deep Down Under Volume 3, IFWG Publishing Australia)
BEST FANTASY SHORT STORY
“Who Wants to be a Reaper”, Jane Brown (The Centropic Oracle)
“So-called Bin Chicken”, E J Delaney (Curiouser Magazine #2)
“All my Tuesdays”, Laura J Fitzwilson (Cicerone Journal Issue 5: Curious Worlds)
“Old Souls”, Aiki Flinthart (Relics, Wrecks & Ruins, CAT Press)
“The Woods Echo Back”, Tania Fordwalker (Beneath Ceaseless Skies #331)
“Frabjous”, Alexander Gibbs (Cicerone Journal Issue 5: Curious Worlds)
BEST FANTASY NOVELLA
“Mother in Bloom”, Alan Baxter (The Gulp, self-published)
“The Little One”, Rebecca Fraser (Coralesque and Other Tales to Disturb and Distract, IFWG Publishing Australia)
“Bones Of The Sea”, Amy Laurens (Inkprint Press)
“Echo and Narcissus”, Tansy Rayner Roberts (Sheep Might Fly podcast, self-published)
“The Scarab Children of Montague”, Suzanne J Willis (Falstaff Books)
BEST SCIENCE FICTION SHORT STORY
“He Leaps for the Stars, He Leaps for the Stars” Grace Chan (Clarkesworld #178)
“For Autumn”, Melissa Ferguson (Revolutions, Deadset Press)
“Honey and a Hanging”, Aiki Flinthart (Tribute, Black Hart Publishing)
“The Reunion”, Emily Fox (Nature: Futures)
“Relict: (noun) A Widow; a Thing Remaining From the Past”, Alison Goodman (Relics, Wrecks & Ruins, CAT Press)
“Legacy of the Species”, Pamela Jeffs, (The Terralight Collection, Four Ink Press)
BEST SCIENCE FICTION NOVELLA
“Access Denied”, Baden Chant (Aurealis #142, Chimaera Publications)
The Cruise to the End of the World, Craig Cormick (Merino Press)
“The Birdsong Fossil”, D K Mok (Multispecies Cities: Solarpunk Urban Futures, World Weaver Press)
“Problem Landing”, Sean Monaghan (Analog Science Fiction and Science Fact Mar/Apr)
“Preserved in Amber”, Samantha Murray (Clarkesworld #178)
“A Vast Silence”, T R Napper (The Magazine of Fantasy and Science Fiction Nov/Dec)
BEST COLLECTION
The Gulp, Alan Baxter, (self-published)
Danged Black Thing, Eugen Bacon (Transit Lounge Publishing)
The Terralight Collection, Pamela Jeffs (Four Ink Press)
The Tallow-Wife & Other Tales, Angela Slatter (Tartarus Press)
Little Labyrinths: Collected Microfictions, Sean Williams (Brain Jar Press)
BEST ANTHOLOGY
Who Sleuthed It?, Lindy Cameron (Ed.) (Clan Destine Press)
Relics, Wrecks & Ruins, Aiki Flinthart (Ed.), Lauren Elise Daniels & Geneve Flynn (assistant Eds.), CAT Press
Hometown Haunts: #LoveOzYA Horror Tales, Poppy Nwosu (Ed.) (Wakefield Press)
Spawn: Weird Horror Tales About Pregnancy, Birth and Babies, Deborah Sheldon (Ed.) (IFWG Publishing Australia)
BEST YOUNG ADULT NOVEL
Waking Romeo, Kathryn Barker (Allen & Unwin)
Aurora’s End, Amie Kaufman & Jay Kristoff (Allen & Unwin)
Terciel and Elinor, Garth Nix (Allen & Unwin)
Echo in the Memory, Cameron Nunn (Walker Books Australia)
Dirt Circus League, Maree Kimberley (Text Publishing)
It’s Not You, It’s Me, Gabrielle Williams (Allen & Unwin)
BEST HORROR NOVEL
The Bridge, J S Breukelaar (Meerkat Press)
Midnight in the Chapel of Love, Matthew R Davis (JournalStone Publishing)
Papa Lucy & The Boneman, Jason Fischer (Outland Entertainment)
The Airways, Jennifer Mills (Picador Australia)
Holly and the Nobodies, Ben Pienaar (Hellbound Books LLC)
BEST FANTASY NOVEL
Supermums – And So It Begins, Meg Grace (self-published)
The Rose Daughter, Maria Lewis (Piatkus / Hachette / Little Brown)
A Marvellous Light, Freya Marske (Tor)
Dark Rise, C S Pacat (Allen & Unwin)
She Who Became the Sun, Shelley Parker-Chan (Mantle)
All the Murmuring Bones, Angela Slatter (Titan Books)
BEST SCIENCE FICTION NOVEL
Waking Romeo, Kathryn Barker (Allen & Unwin)
The 22 Murders of Madison May, Max Barry (Hachette Australia)
Stealing Time, Rebecca Bowyer (Story Addict Publishing)
Papa Lucy & The Boneman, Jason Fischer (Outland Entertainment)
Aurora’s End, Amie Kaufman & Jay Kristoff (Allen & Unwin)
Deepwater King, Claire McKenna (HarperCollins Publishers)
SARA DOUGLASS BOOK SERIES AWARD
Lifespan of Starlight [Lifespan of Starlight (2015); Split Infinity (2016); Edge of Time (2018)], Thalia Kalkipsakis (Hardie Grant Egmont)
Elementals [Ice Wolves (2018); Scorch Dragons (2019); Battle Born (2020)], Amie Kaufman (HarperCollins)
Unearthed [Unearthed (2017); Undying (2018)], Amie Kaufman & Meagan Spooner (Allen & Unwin)
Lifelike [LIFEL1K3 (2018); DEV1AT3 (2019); TRUEL1F3 (2020)], Jay Kristoff (Allen & Unwin)
Winter [The Road to Winter (2016); Wilder Country (2017); Land of Fences (2019)], Mark Smith (Text Publishing)
Blood and Gold [Crown of Rowan (enovella, 2014); Daughters of the Storm (2014); Sisters of the Fire (2016); Queens of the Sea (2019)], Kim Wilkins (HarperCollins)
CONVENORS’ AWARD FOR EXCELLENCE – Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, Andrew Nette & Iain McIntyre (Eds.) (PM Press)
The Writer as a D&D character class
While chatting to some friends about Dungeons & Dragons recently we started talking about our own jobs as a D&D character class. It was kinda fun to think about how the main stats of a D&D character sheet would apply to our gigs. Because I’m a massive nerd, I started thinking about it in more detail and writing it down. And here’s what I came up with for Writer as a D&D Character Class.
All D&D characters have 6 primary stats, so let’s start with those:
STR – Strength – You need to be able to carry the weight of whatever work is required at any time, and you need to be strong enough to keep making work while living life. Making time to write takes a kind of strength – strength of conviction at the very least. And you need to be tough. You need a thick skin to be a writer, you need resilience. You need to be able to keep going in the face of rejection, because rejection is the default. (Obviously, this crosses a lot with constitution.)
DEX – Dexterity – You need to be able to pivot to take advantage of any opportunity. So much of writing is luck, but the harder you work, the luckier you’ll get. You need the professional dexterity to grab an opportunity when it comes along.
CON – Constitution – Along with STR above, it’s important to remember that this gig is a marathon, not a sprint. Don’t quit! You only fail if you quit.
INT – Intelligence – You gotta keep learning. You need to constantly improve your craft. If you stop learning, you’ll stagnate. So you have to apply your intelligence to constant improvement.
WIS – Wisdom – Not all things are equal. You need to develop the wisdom to make the right choices about what you want to write, what opportunities to prioritise and so on. (I’m constantly second-guessing myself on this one.)
CHA – Charisma – Despite what people say, there is definitely an advantage in being charismatic. This doesn’t mean looks, it means not being a dick. It means being professionally available and open, being a good person and easy to get along with. Being eloquent and appealing, online and in person. A Neil Gaiman quote comes to mind. To paraphrase: To succeed as a writer you need at least two of the following three: You need to be good at it, you need to deliver work on time, and you need to be easy to work with. Ideally you have all three qualities.
During your life as a writer, you’ll constantly need to make Saving Throws against these stats. You’ll fail a *lot* of them, but that’s okay. Keep going – see CON above.
A D&D character sheet lists a lot of Skills. The correlation here is relatively self-evident, but beyond the skills of grammar and prose, what else do you have? What life skills can you draw on for your writing? I’m a career martial artist, so I draw on that a lot. I’ve been in rock bands, I’ve had a variety of jobs and hobbies. It can all inform what I write. And then there’s the writing skills beyond grammar and spelling. What skills can you develop, like writing for an hour every morning or making notes while you’re out and about? What use of language skills can you develop, to write evocative prise that’s not purple?
In D&D you frequently roll for Initiative (usually in combat). It basically determines who goes first. In this case, who keeps working hard enough to be ready to take on projects. Who can work fast enough to get those projects done on time. What opportunities can you grab?
Again in combat, characters have an Armour Class. In D&D, that’s literally your armour, your ability to withstand hits. Plate armour is more protective than leather or chainmail, but it affects your movement and speed too. In writing, how thick is your skin? The hits keep coming, and you’ve got to resist them. But you’ve got to keep moving too. Taking hits and carrying on is part of the gig.
How many Hit Points do you have? That’s your health. How long can you stay in the game? How many hits before you fall down? But more importantly, in D&D a long rest restores all your hit points. Don’t underestimate the value of downtime, of refilling the well. You need to take breaks from writing in order to recharge. Then you can take more hits and get more done.
Equipment
What do you have beyond your keyboard? A notebook and voice recorder app, sure. But what else? Life is your toolbox – get out there and experience life, listen to people, don’t just look, but notice. This is your writerly equipment. And your brain, of course. Exercise it, keep it oiled and in good working order.
Background
Whether you like it or not, your background matters. I play life on easy – as a straight white male, I have massive privilege. And I’m not especially poor – at least, I’m not destitute. That makes it way easier to do what I do. However, I come from a poor working class background, so that plays well into the kind of stuff I write. Laird Barron once described my work as having a “strong blue collar sensibility” and I take that as a compliment. Your character background will colour your writing – PoC, LGBTQ+, your location, your socio-economic standing – it all affects what you write, how you write, when you have time to write. All of it.
Alignment
Are you evil? There’s a general rule in writing, and it applies to life in general: Don’t be a dick. But some people thrive on being an arsehole. That’s true of writers too. Will you be the kind who helps people or hinders them? Will you stay neutral and quiet? How chaotic are you? This is your alignment.
Magic
And here’s the real heart of it. Can you cast magic? I hope so, because storytelling is casting a spell. Books are a uniquely portable magic – Stephen King said that. The more you do this, the more it feels like magic passing through you rather than any conscious effort on your part. I’m fairly convinced that being a writer is constantly striving to become a high level Literary Sorcerer, where we create the most powerful magic that transports people. It’s something to always striver for, anyway.
So there you have it. The Writer as a D&D character class.
BLIND EYE MOON merchandise
BLIND EYE MOON are the best band in the world. At least, that’s true in the fictional world of Gulpepper. They first appeared in “The Band Plays On” in THE GULP, and they get another turn later on in THE FALL. A lot of people started talking about how the band should have their own line of merch, like a real band. It seemed like a fun idea. So I designed a band logo (with some valuable help from my friend, Dennis Lum – thanks, Dennis!) The logo is what you see there on the left.
I’ve subsequently made a whole line of merchandise. At this point, it’s split over two stores, which is a bit annoying. Most of the stuff is at my Teepublic store, but they don’t do double-sided t-shirts and you can’t have band merch without a tour shirt, so I set up another store to manage that. At some point I think I’ll try to move everything into one place, but for now, you can get:
All that stuff is at the Teepublic store, so you can have a look around my storefront there too to see what else I have that’s not Blind Eye Moon merch.
And here’s the double-sided tour shirt, which is currently at a Zazzle store, as seen below.
Any problems, give me a shout!