The World’s Top-Earning Authors
Here’s a bit of motivation. Forbes has just released its list of the world’s top-earning authors. It’s encouraging to see genre authors dominating the list. It’s also a reminder that if you work hard at your craft and have a bit of luck, anyone can succeed. After all, with a fan fiction author debuting at number 1 on the list, anything is fracking possible, right? Here’s the listed top 16 and their earnings:
1. E.L. James: $95 million
2. James Patterson: $91 million
3. Suzanne Collins: $55 million
4. Bill O’Reilly: $28 million
5. Danielle Steel: $26 million
6. Jeff Kinney: $24 million
7. Janet Evanovich: $24 million
8. Nora Roberts: $23 million
9. Dan Brown: $22 million
10. Stephen King: $39 million
11. Dean Koontz: $20 million
12. John Grisham: $18 million
13. David Baldacci: $15 million
14. Rick Riordan: $14 million
15. J.K. Rowling: $13 million
16. George R.R. Martin: $12 million
Here’s a quote from the Forbes article that really stood out to me and bears keeping in mind: “For the publishing industry, the lesson is clear: The formula isn’t everything.” This is in reference to spotting or being the next big thing.
And then there’s this: ““When it comes to predicting a single solitary book, there’s little science behind it,” Norris says. “You can have as much access to this data as you want but there’s nothing to quantify luck.””
And therein lies the truth of it. But you know what else? People like E L James are aberrations in the general data set (not the person, just her success, keep your complaint emails unsent). Everyone else on that list worked bloody hard for their success, even if their stuff is awful or just something you’re not interested in reading. Which takes us back to the old adage that I always keep in mind. While it’s true that a big old dose of luck is essential in publishing success, never forget:
“The harder I work, the luckier I get.”
I’d be happy with one tenth of the earnings of no. 16 on that list of 16. Right now that would feel like a massive level of success. And relative in the publishing world, it would be. But working hard and making luck is something I’ll never stop doing, so you never know. Maybe I’ll get on that list one day. I’ll certainly keep working at it.
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A reminder
I’m very close to The End of this book. And that means I’m very close to the end of a trilogy. The first two books are with my agent, and this third will go to her too once it’s polished up all nice and shiny. But I have that last leg to go, that final careening drop into the big climax and the finish line. It’s daunting, because here’s where I tie up not one, but three novels. This one has to finish well, but it’s also the final finishing point of the previous two. Each book is a standalone story, but there’s an over-riding arc that starts with chapter one of book one and finishes with the final chapter of this book I’m supposed to be writing right now. Sometimes the self-doubt starts scratching at your hindbrain, like a demon cat trying to get through the screen door at night. I have to ignore that shit and get this thing done. I know my beta readers and my agent will give me honest feedback and help me polish it into a gem, no matter how much work that might require. But first and foremost, I have to get it written. That first draft has to be there before anything else. So I made myself a little reminder. Feel free to use it yourself. Nothing else matters until this part happens.
Thrillercast episode 81 – Flawed protagonists
I used to post here every time a new episode of Thrillercast went up, but I’ve been a bit slack on that front lately. For anyone late to the party, Thrillercast is a podcast hosted by myself and fellow Gryphonwood author, David Wood. It’s a podcast all about thrillers and genre fiction and we talk about the writing craft, publishing news, our own writing paths and general thriller and genre stuff. Basically we crap on for between thirty minutes to an hour every couple of weeks or so. But we can sometimes be quite interesting.
The latest ep is out there now. Me and Dave talk about flawed protagonists. After all, aren’t we all the flawed protagonist in our own life story? (Shit. I wish I’d thought of saying that during the actual podcast.) Following our chat there’s a recording from a recent con Dave attended, a panel discussion on the topic “Is Your Hero’s Flaw Non-Fatal?”
And don’t forget we have a Facebook Page.
You can subscribe via iTunes or just get the individual episodes from the site. All the details at http://thrillerpodcast.blogspot.com
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CSFG’s Write-a-Book-in-a-Day effort, 2013
I’m not personally involved in this project, but I am a proud member of the CSFG, so I’m sharing this on their behalf.
Please support Paediatrics at the Canberra Hospital (PatCH) by sponsoring CSFG’s Write-a-Book-in-a-Day entry in 2013.
Last year, through the generosity of our sponsors, CSFG raised over $600 for PatCH. (You can find out more about last year’s escapade here.)
And now we’re doing it again!
The Write-a-Book-in-a-Day contest is a fundraising event for state children’s hospitals that runs from April to August each year. It began in Perth in 2003 and has since expanded across Australia. Teams of 5-10 writers are given 12 hours to collaboratively plan, write, illustrate, print and bind a children’s book (of around 8000 words in the Open category, less in the schools categories).
PatCH also came into being in 2003 to provide a clear and unifying identity for the paediatric health services at the Canberra Hospital. PatCH consists of several clinical areas; a 40 bed inpatient ward including a separate adolescent area, a Day Stay/Surgery unit, Outpatient Clinics and the Administration and Research areas.
CSFG will be writing our 2013 book in a day on Sunday, 4th August.
You can donate by:
- Visiting the Write-a-Book-in-a-Day website
- Choosing PatCH from the list of children’s hospitals and programs
- Choosing CSFG from the list of teams supporting PatCH and entering your credit card details.
- Or downloading the Sponsorship Form to donate by cheque or money order.
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A Killer Among Demons in all its forms
Check out that sweet tome in my grubby paw. It’s my contributor copy of the fantastic anthology, A Killer Among Demons, which features my story, The Beat of a Pale Wing. I’m really proud to be in this book. I read the e-version while I was away a couple of weeks ago and loved it. It’s a really outstanding effort by editor/publisher, Craig Bezant. It’s also an outstanding effort on his part to gift wrap the contributor copies. Very cool.
Anyway, I won’t go on. Suffice to say that you really should read this excellent book. All versions, print and e (DRM-free), available here. Go get some.
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Writers write – but fuck the rules
“If you want to be a writer, you have to write every day.” I bet you’ve read that before, right? I’ve seen it perpetuated so many times, and it really annoys me because it’s absolute bollocks. I bet it scares off many potential writers and that’s a real shame. I fucking hate the “rules of writing”. There are no rules. This is art, motherfucker. You don’t impose rules on art. There are many truisms, many universal truths. One of those, without question, is this: Writers write. That is the foremost truism among all writers. If you want to be a writer, you have to write. If you write, you are a writer. Do you have to write every day? Fuck no.
People have lives, jobs, families, responsibilities. If you want to be a writer, you have to make time for writing. You won’t find time for it. No one can find time, there aren’t lost minutes down the back of the couch or an hour or two growing on a time-tree in the Magical Forest of Creative cocking Genius (yeah, that’s a real place – you have to finish a book before you get the key to the magic gate). You make the time. But some people can only make time on the weekends. Or in the evening after the kids have gone to bed. They’re still writers, because they write. If all you do is make excuses, you’re not a writer. If you make time, however little or infrequently, you are a writer.
Here’s a comparison. I’m an international master of Choy Lee Fut kung fu. I run a martial arts academy – teaching kung fu is my other job. I’ve spent more than 30 years training and learning and getting myself to where I am now. The more I practice, the better I get. I encourage my students to practice every day. The really good ones do practice a lot. But they don’t practice every day, I bet. And neither do I. I can’t. Sometimes there’s just other stuff going on. Sometimes I need a break. Some days I just simply cannot be arsed. And that’s okay. Because I still practice a lot. I don’t suddenly stop being a martial artist on the days I don’t practice. A writer doesn’t stop being a writer on the days they don’t write. If they stop writing and don’t start again, that’s different. If they only write three times a week, once a week or once a month, they are still a writer. Sure, the more they write and the more often they write, the better they will be. Just like the more I train and practice, the better a martial artist I am, and my skills won’t lessen through lack of use. But I’m still a martial artist however much I practice. People are still writers however much they write. To get really good, they write a lot. If you really want it, that’s what you’ll do. But when you can’t write, when life is in the way, don’t sweat it. Just get back to it asap.

Did he say every day? Hell, no. And this is Stephen goddamn King.
So when you read these bullshit rules that say “You have to write every day”, scream at the top of your lungs, “Fuck that shit!” Unless you’re in a library or a kindergarten or something. Use your own discretion.
Screw the man, fuck the rules, be an artist.
Make time to write whenever you can, and write. Then you are a writer. If you just make excuses and “can’t find the time to write” you are not a writer, you’re an excuse maker. And that’s okay. Because if you really wanted to write, you would make the time, however little or infrequent that time might be.
Make time. Write. You are a writer.
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EDIT: In response to this post, I got a few comments on social media. Two in particular make a very valid point. On Twitter, Andrew McCrae said:
“Terry Dowling has a good take on that: you don’t have to write every day but you have to be a writer every day, ie pay attention.”
And on Facebook, Traci Harding said:
“…writers have to have day dream days too, so even when you are doing other stuff the story can be unfolding in the back of your mind. And it doesn’t matter how long it is before you put it down, you’re still writing in your head.”
These are very important points, which is why I’m adding them here. It further enhances the assertion that even when you aren’t writing, you are still a writer. Always be a writer. Actually write as often as you can. Done.
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Pacific Rim – Peter Watts says it all
I was going to blog about the awesomeness that is Pacific Rim. Seriously, guys – giant robots smashing the shit out of giant kaiju! What is there not to love about that? I wanted to talk about the amazing effects, the reason it works even though it’s absolutely fucking ridiculous. In fact, right after the movie, I tweeted:
My Pacific Rim review: Absolutely fucking ridiculous. Absolutely fucking tremendous. 5 Stars.
And really, that does say it all. But I wanted to blog about why. Thankfully, I don’t need to, because the excellent Peter Watts has done it for me. He says exactly what I thought about this film, so go and read his post here.
The joy of dumbness.
…in terms of sheer dumb popcorn-munching fun, no other movie I’ve seen in the past year comes close to Pacific Rim.
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Write the Fight Right coming to Canberra
My workshop all about writing effective fight and action scenes is coming to the ACT Writers’ Centre in Canberra. This is the full day (10am-4pm) version of the workshop, so we get to talk a lot more in depth about stuff and do a little bit of writing too. Here’s the blurb:
This is a workshop designed to look at the things which make a fight scene in a story read as realistically as possible, while maintaining excitement and pace. By looking at the various factors that go into a real fight, paying attention to the things we train for when we learn to fight, we can write fight scenes that stay exciting without breaking the rules of realism that shatter believability. Throughout the workshop, other forms of written action will be addressed under the same parametres.
This is a workshop of great benefit to anyone who wants to write well-paced, accurate, exciting action scenes, especially fight scenes. Attendees should come away with a far greater understanding of what defines a well-written fight/action scene, plus tools to continue to develop their writing in this area.
It’s happening on Sunday August 4th, from 10am. All the details and forms for booking a place here.
See you there!
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A Killer Among Demons available now
You may remember that I’ve been talking up this great anthology from Dark Prints Press. I’m so pleased to be one of ten authors included in this anthology of supernatural/paranormal crime. I read it last week while I was on holiday (as I got an advance ecopy from the publisher) and it is outstanding. I’m very proud of my story, The Beat of a Pale Wing, and the other nine stories are exemplary. A really diverse range of ideas. And that fantastic Vincent Chong cover. Seriously, this is a great book. Here’s the full list of amazing authors:
Stephen M Irwin – ’24/7′
Angela Slatter – ‘Cuckoo’
William Meikle – ‘Truth Decay’
Alan Baxter – ‘The Beat of a Pale Wing’
Marilyn Fountain – ‘The Intruder’
Greg Chapman – ‘A Matter of Perception’
Chris Large – ‘New York, New York’
SJ Dawson – ‘The Tape’
Madhvi Ramani – ‘Angel’s Town’
Stephen D. Rogers – ‘Grievance Visitation’
I honestly can’t recommend this book highly enough. You like magic? Horror? Dark fantasy? Crime? Who doesn’t, bitches? Go, buy the book now. It’s available in print and ebook from here.
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It’s my lumbar, Jack, and I’m okay
Hey fellow writers and other desk jockeys. Do you sit in a chair like this?
See that little curved net thing in the back of my chair? It’s a lumbar support. It cost less than ten bucks from Office Works and has an elastic strap that slips over the back of the chair. Then it sits there being all supportive and encouraging good posture like a finishing school principal. It seems kinda pointless, but it’s actually bloody brilliant and has really helped my comfort and posture while I write.
I’m a martial arts instructor and a personal trainer as well as a writer, so physical health is something very much a part of my life. But I’m just as guilty as many others when it comes to getting involved in the writing and not taking care of myself like I should. Regardless of how much I work out and look after myself outside of writing, long hours in an office chair are bad for anyone. So something like this is bloody good to have. And it’s so cheap. I highly recommend it.
Talking of cheap, this post was largely so I could use that blog post title, but it’s also a serious point. Take care of yourselves, motherfuckers.
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