Substack update
Patreon is by far the best place to get all the low down and behind the scenes stuff, occasional exclusive stories and so on, from me. But I’m planning to make Substack a bit more central to my online presence and thought you might like to know. Substack are setting themselves up as a pretty strong social media alternative. I originally signed up there to mainly use it for my email newsletter, as I really hate the Mailchimp interface. But they also offer a regular blogging option, so I might be using that sometimes too – the Blog here on my website is really just a place where I post news now, not articles. To be honest, I’ve really fallen out of the habit of “blogging” outside of Patreon, so this might trigger me to get back into it.
So, if I blog something a little more in-depth that isn’t an exclusive article for Patreon, I’ll be using Substack now, mainly because that also gives me the option to send that blog post as an email to my newsletter list.
And now, on top of that, Substack have added a chat function – which is a bit like a personalised social media feed for anyone to chat directly with a stack author. And that strikes me as quite useful too. I’m not sure how much it’ll get used, but it’ll be interesting to see, especially as other socmed (especially Twitter) is so unstable right now.
Of course, you might already be subscribed to my newsletter and all this is not news at all. Or you might be subscribed but didn’t know what else substack offers. But if you’re not, you might want to sign up. You’ll find it here:
https://alanbaxter.substack.com/
What do you think? Useful or not?
Ellen Datlow Recommendations for Best Horror #14 – long list
Ellen Datlow is the premier horror short fiction editor these days, and every year she publishes Best Horror of the Year. Volume 14 is due out any day now. It’s always a stellar anthology and I look forward to it every year – it’s a real bucket list item for me to get a story in there one year. But also every year, she releases her long list of recommended stories and she’s just dropped the latest one. I’m thrilled to have three stories on that list:
“Out On a Rim” & “48 To Go” from The Gulp, and
“Come His Children” from Cthulhu Deep Down Under Vol 3
Check out the list, as it not only showcases an amazing bunch of authors, but also a bunch of books and magazines that might not have shown up on your radar before. Linked below is the first post – it’s alphabetical and subsequent posts list more recommendations:
https://ellendatlow.com/2022/11/28/recommendations-for-best-horror-14-long-list-2/
DAMNATION GAMES is out now!
My first anthology as editor is now out in the world. Clan Destine Press asked me if I’d like to edit an anthology for them and the supernatural horror and crime beast called Damnation Games was born. I invited a slew of amazing authors and opened general submissions to the Australasian Horror Writers Association and the spread of stories I got blew my mind. This really is a special book. The wonderful cover art is by the talented Luke Spooner of Carrion House. Here’s the table of contents:
Gene Flynn – “A Bitter Yellow Sea”
Alan Baxter – “The Question”
Chris Mason – “Miss Jam”
Philip Fracassi – “The Resident”
Aaron Dries – “Kookaburra Cruel”
Gemma Amor – “The Zoo”
Rick Kennett – “The Faces in Morgan Alley”
Lee Murray – “The Hungry Bones”
Robert Hood – “Dangerous Specimens”
Kaaron Warren – “Remnants and Bad Water”
Gemma Files – “Black Cohosh”
Joanne Anderton – “The Infinity Effect”
Gabino Iglesias – “The End Will Emerge from the Filth”
Maria Lewis – “The Invited”
John F.D. Taff – “Ghost Gun”
Dan Rabarts – “Spool”
Cina Pelayo – “She sleeps, nor dreams, but ever dwells”
J Ashley-Smith – “Men Without Faces”
Kyla Lee Ward – “The Value of Graves”
What a stellar list of amazing authors that is. You can get your copy now, wherever books are sold. Here’s a few links to get you started:
Ordering direct from the publisher is good:
In Australia: https://www.clandestinepress.net/products/damnation-games
USA: https://improbablepress.com/products/damnation-games
Book Depository is always a winner as it has free shipping worldwide:
Paperback: https://www.bookdepository.com/Damnation-Games-Editor-Alan-Baxter/9780645316858
Hardcover: https://www.bookdepository.com/Damnation-Games-Alan-Baxter/9780645316841
And of course, there’s also the dreaded ‘Zon, and all formats are now showing up there:
Paperback: https://www.amazon.com/Damnation-Games-Alan-Baxter/dp/0645316857/
Hardcover: https://www.amazon.com/Damnation-Games-Alan-Baxter/dp/0645316849/
Kindle: https://www.amazon.com/Damnation-Games-Alan-Baxter-ebook/dp/B0BN75S9MZ/
Those are US Amazon stores, but for your own country the link is exactly the same, just change the .com bit to .ca or .co.uk etc.
I really hope you’ll give this book a go – I’m incredibly proud of it and guarantee you won’t be disappointed. Reviewers, bookstagrammers, booktok, etc. please hit me up if you’d like a review copy.
AND FIRE POURED FORTH is out now.
I decided to drop a surprise book on you all. And Fire Poured Forth is out now, wherever books are sold!
When my story “In Vaulted Halls Entombed” (from SNAFU: Survival of the Fittest) got picked up by Blur Studios and Netflix for LOVE DEATH + ROBOTS, apart from being beside myself with joy, I realised I had a handful of good military horror stories out there now and maybe I should collect them. It all started with “In Vaulted Halls Entombed”. Geoff Brown at Cohesion Press came up with the idea to produce a series of anthologies featuring stories of military horror, where the fundamental requirement was always the same: extreme military (or para-military) action and monsters. Within this over-riding remit, each volume of the ongoing series has a more focussed theme. I’ve had the great pleasure of being included in five of these volumes so far: Survival of the Fittest first, and then Last Stand, Black Ops, Medivac, and Future Warfare.
So when I decided to collect those five together, I wrote a new and original story called “And Fire Poured Forth”, to make it an even half dozen and to make sure the book had something new in it, and that story also gives this book its title. I put this book together in the first place a couple of years ago, but then LD+R bumped my story to season 2 then season 3. It’s episode 8 of season 3 if you haven’t caught it yet – they did an amazing job with it.
Then, when it did come out, I realised there were already three books with “In Vaulted Halls Entombed” in them. The original SNAFU volume, my second collection, Served Cold, and the soon-to-be-released LD+R anthology to accompany the series. So I decided to hold off on this mini-collection for a while. I gave it about 6 months after LD+R season 3 aired, then though that was time enough. So here it is.
I strongly recommend you read all the SNAFU anthologies out there (a new one has just dropped called “Dead or Alive” and I’m lucky enough to have a story in that one too). I also recommend you watch LOVE DEATH + ROBOTS on Netflix. Apart from my obvious bias, it’s a genuinely outstanding series and I hope there are many more. Meanwhile, I hope you enjoy reading these yarns as much as I enjoyed writing them. And I also hope there’ll be many more from me to come.
From cosmic terrors in underground caverns to warrior nuns protecting humanity to invisible aliens decimating a faraway world, within these pages you’ll find six stories of military horror. Taken from the pages of (or inspired by) the SNAFU anthology series, where the remit is for stories crammed with extreme action, monsters, and military mayhem, everything here will leave you breathless. Lock and load, people. It’s going to be intense.
Signed books for Christmas special offer!
Signed books make excellent gifts, and with Christmas coming up, what better way to show your love of friends and family than books dedicated to them and signed by the author? So here’s a special offer for the season.
I’m offering a Special Christmas Gift Pack that includes:
- 3 signed and personalised books (of your choice from those listed below)
- some signed postcards
- a limited edition “Welcome to The Gulp” black nickel enamel pin
The cost is AU$75 for the lot, including postage anywhere in Australia. The same offer applies to anyone not in Australia, but the cost is AU$135 outside Aus because the postage for this parcel to anywhere beyond our borders is AU$61.60. Madness, but I have no control over that. Also, overseas orders might take two or three weeks to arrive, so factor that in.
You can choose any three of: Sallow Bend, The Gulp, The Fall, Served Cold, Hidden City, Devouring Dark or The Alex Caine Trilogy. (Other books of mine might be available, so if you’re keen for something else, drop me a message and check first if I have it.)
Scroll down for the buy links, but please read the details below too.
When you click through to order, there’s a box you have to fill in that asks how you want the book signed. In this box please put the following:
Which books you want and
Who you want them signed to.
Also, if you want me to send the books directly to a recipient, make sure the shipping address reflects that, and if you want them gift-wrapped, I can do that too. Let me know in the same comments box.
Any questions, drop me a line. Order from these links:
For Australian 2022 Gift Pack orders click here.
For 2022 Gift Pack orders going anywhere outside Australia, click here.
Of course, if you just want one book or some other combination of things, just go to the Books by Alan page, click on anything you want, then click the orange Buy Signed Paperback button. And questions or problems, drop me a line.
Thank you so much for your ongoing support of my writing and happy holidays to all!
A story about my new car
I recently posted this on Twitter. Click through to read on the bird site or see the transcript below:
I recently bought a new car… well, secondhand obviously, I’m an author. But new to me. And newer than the old one with 320,000km on the clock.
— Alan Baxter ???????????????? (@AlanBaxter) October 22, 2022
I recently bought a new car… well, secondhand obviously, I’m an author. But new to me. And newer than the old one with 320,000km on the clock.
I sold my old car on gumtree, a local woman bought it. A friend brought her around to see it, they took it for a test drive, we haggled a bit on the price. She said she’d transfer the money. Great.
A couple of days later I get the money in my account. So I text her and say the money’s here, come and grab the car any time.
She texts back a couple of hours later. “Can you actually drive it over and then I’ll give you a lift back home in it? I don‘t have any way to get to you right now.”
I said, “I can wait, no rush.” She said, “I’d love to get it right away though. I could really use it today. I’ve got a bunch of errands to run.”
I said sure, as it was only about 5 or 6 km away. It would only take 20 minutes out of my day. “I’ll drop it over in about half an hour, okay?” I told her.
She said, “Sure, thanks. Just as soon as you can would be great.”
So I turn up at the address about forty minutes later and knock on the door. One of those rural properties that’s not really a farm, but a lot bigger than a regular house. Surrounded by bush, you know the sort of thing.
There’s no answer at the door.
I go around the back, call out. Nothing. So I call the number we’ve been texting and it doesn’t even ring. Just that electronic voice, “Sorry, this number is unavailable.”
Maybe turned off, out of a coverage area, something. But now I’m annoyed. I’ve taken time out and driven here and it’s a ghost town.
What to do?
I figure as it’s only 5 or 6 km, rather than waste time trying to organise another time or whatever, I’ll leave the car here and walk home.
Should have brought the dog with me, kill two birds etc.
So I post the keys for the car through the letter slot in the front door, and send her a text to say that’s what I’ve done. I’ve been paid, the car’s delivered, all sorted. And I stroll back towards the road.
That’s when I hear the screaming.
I thought it was birds at first, but it was weirdly muffled. When I realised it was screaming, I ran back to the house. But then I couldn’t hear it any more.
I pressed my ear to the door. Nada.
So I walk back down the driveway, heading out to the road like I had been before, and sure enough, there’s the muffled screaming again.
I’m deaf in one ear, so it took a while to triangulate the sound, but I finally figured it was coming from the big grassy area just off one side of the driveway.
As I moved closer, listening in, I saw the turf was kinda weird looking there. Like it had been rolled up and then re-laid.
About fifty metres away, up against the edge of the bush, was a small front end loader. It had fresh looking dirt on the front of the bucket. Like it had been digging recently, you know?
Then a voice said, “Hey, mate.”
I turned around and there was a grizzled looking guy there, maybe fifty or so (about the same age as the woman who bought the car) but he looked a lot older. “Oh,” I said. “Hey.”
“Sorry I didn’t answer, I was in the bathroom.” He had a bit of a lisp when he spoke.
I nodded. “Right.”
He lifted the car keys, gave them a jingle. “Thanks for dropping it around.”
I said, “No worries. I was going…” Then I stopped myself. I’d nearly said, “I was going to get a lift back” but something made me pause. I didn’t really want a lift anywhere with this guy.
The screaming was hard to hear now I’d stepped back onto the driveway. Maybe it was getting weaker too. I wasn’t sure what to do. I must have looked indecisive.
“I told her not to buy it,” the guy said. “I told her she didn’t need no car of her own. I can drive her anywhere she needs to go.”
“Right. I guess she wanted some independence or something?”
“And what would she need that for?”
I didn’t have an answer to that. At least, not one I was prepared to say out loud and risk this guy’s ire.
He nodded. “So anyway. Thanks for dropping it around.”
“No worries. You’ll make sure she gets the keys?”
He grinned at me and I saw he was missing both front teeth. I thought maybe that was why he spoke with a lisp. I wondered how he’d lost them. “I’ll see that everything’s taken care of,” he said.
The screaming had stopped.
“Cool, thanks then,” I said, desperate to get away. “I’ll see you around.”
“Probably not, hey.”
I tried a smile, but it wavered. “Yeah. Probably not.”
I turned and walked as casually as I could out of the driveway and turned along the road. As soon as some bush was blocking the view to the house, I ran another hundred metres then pulled out my phone, dialled 000.
I told the cops everything and ran all the way home. I guess I might get a call from them soon.
Or probably not, hey.
Let The Cat In podcast
If you’re not already listening to this one, I highly recommend it. J. Ashley-Smith, Kaaron Warren and Aaron Dries are all amazing authors and fantastic co-hosts of this, which is one of the most interesting podcasts out there. I was lucky enough to be a guest recently and you can listen to my episode here. Then go through the archive and catch up. Some real gold there.
Live reading and Q&A for The Pixel Project
For Aussies this will happen this morning at 11am. Join me for a live reading from Sallow Bend and Q&A! (@ 6.00pm PT on 17 September 2022). There’s also some cool swag giveaways and stuff. Find us here: https://tinyurl.com/ABaxterR4P
A full campaign page is here, with all kinds of things up for auction from so many amazing authors.
Two new stories coming in October – FOUND and SNAFU: DEAD OR ALIVE
I’ve talked a bit about Damnation Games, the new crime/horror anthology I’m editing, and I also have an original story in that book, called “The Question”. I can’t wait for folks to see it, because it’s a banger. You can read all about that here.
But just like when you’re waiting ages for a bus then three all come at once, I have two more original stories coming out in October as well. I’m super proud of all these. First up, I’m excited to have made the cut for another edition of the fantastic SNAFU anthology series from Cohesion Press, this time horrors of the wild west in Dead or Alive. My story, “The Fiends of Turner’s Creek”, will feature alongside a stellar line-up of authors.
And the other story I have is called “The Novak Roadhouse Massacre” and that will be in the Found anthology, ed. Andrew Cull and Gabino Iglesias, advertised thus:
Between April and August 2021 eighteen horror writers disappeared. These are the stories they were writing when they disappeared. FOUND will be released on 8th October 2022.
Keep your eyes on my socials for when these amazing books drop.
TWO Ditmar Award nominations, you say!?
Holy shitballs! The 2022 Ditmar Awards shortlists have just been released and I’m there TWICE! I am genuinely so happy to see The Gulp as a finalist in Best Collected Work and Ghost Recall as a finalist in Best Novella or Novelette. What a thrill. This makes 10 nominations for a Ditmar across my career, but I’ve yet to win one. Maybe this year? Regardless, it genuinely is an honour and a privilege to be a finalist. The full list is below:
Best Novel
- All the Murmuring Bones, A.G. Slatter, Titan Books.
- The Bridge, J.S. Breukelaar, Meerkat Press.
- The Councillor, E.J. Beaton, DAW Books.
- A Marvellous Light, Freya Marske, Tor.
- Papa Lucy & The Boneman (Books of Before & Now 1), Jason Fischer, Outland Entertainment.
- The Rose Daughter, Maria Lewis, Hachette Australia/Little Brown Books.
- She Who Became the Sun, Shelley Parker-Chan, Tor.
Best Novella or Novelette
- “Ariadne, I Love You”, J. Ashley-Smith, in Ariadne, I Love You, Meerkat Press.
- “Dirty Heads”, Aaron Dries.
- “Ghost Recall”, Alan Baxter, in Ghost Recall (Eli Carver 3), Grey Matter Press.
- “The Little One”, Rebecca Fraser, in Coralesque and other tales to disturb and distract, IFWG Publishing Australia.
- “A Vast Silence”, T.R. Napper, in The Magazine of Fantasy & Science Fiction, November/December 2021.
Best Short Story
- “A Good Big Brother”, Matt Tighe, in Spawn: Weird Tales of Pregnancy, Birth and Babies, IFWG Australia.
- “Goon of Fortune”, Geneve Flynn, in Midnight Echo 16.
- “The House That Hungers”, Maria Lewis, in Aurealis No. 146, November 13 2021.
- “The King in Yella”, Kaaron Warren, in Under Twin Suns: Alternate Histories of the Yellow Sign, Hippocampus Press.
- “Legacy of the Species”, Pamela Jeffs, in The Terralight Collection, Four Ink Press.
- “A Whisper in the Death Pit”, Kyla Lee Ward, in Weirdbook 44, Wildside Press.
Best Collected Work
- Coralesque and Other Tales To Disturb and Distract, Rebecca Fraser, IFWG Publishing Australia.
- The Gulp, Alan Baxter, 13th Dragon Books, self-published.
- Relics, Wrecks & Ruins, Aiki Flinthart, CAT Press.
- The Terralight Collection, Pamela Jeffs, Four Ink Press.
- Tool Tales, Ellen Datlow and Kaaron Warren, IFWG Publishing Australia.
Best Fan Publication in Any Medium
- Earl Grey Editing, Elizabeth Fitzgerald.
- SF Commentary, Bruce Gillespie.
Best Fan Writer
- Kat Clay, for interviews and reviews on YouTube and katclay.com.
Best Fan Artist
- C.H. Pearce, for fanart on Instagram, including (Em and Gyre), (Lysande), (Cruelty Free), and (Rocket Launch Good).
Best Artwork
INSUFFICIENT NOMINATIONS
Best New Talent
INSUFFICIENT NOMINATIONS
William Atheling Jr Award for Criticism or Review
- Eugen Bacon, for Aurealis Reviews (editor and reviews).
- Claire Fitzpatrick, for “How Mary Shelley Continues to Influence Modern Science Fiction”, in Aurealis 145.
- Ian Mond, for reviews in Locus.
- Andrew Nette and Iain McIntyre, for editing Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, PM Press.
- Kyla Lee Ward, for “Vampire Poetry”, in Penumbra 2, Hippocampus Press.