Escape Artists need our help
You all know by now what a huge fan I am of short fiction podcasts. I listen to a whole bunch of them. I also love it when my own short fiction gets podcast, and that’s happened a few times now. I made a page here with all my own podcast fiction linked up and a list of all the audio fiction magazines I enjoy. Check it out, I promise you’ll find good stuff there (and not just my own stories.)
Among my absolute favourite short fiction podcasts are the three Escape Artist ones – Pseudopod for horror, Escape Pod for sci-fi and PodCastle for fantasy. They collect original and reprint fiction from a wide variety of sources and always commission excellent readers. These podcasts are regular, brilliantly produced and full of a broad range of stories. They also pay excellent rates to their authors. But they’re currently in dire financial straits and need some help – and it’s very easy to help them. All these type of online zines have options to subscribe or make once off donations to pay their server costs and authors. Until now, I’ve always gone to their sites at the end of each year and made a small donation.
But it it turns out that less than 1% of the people enjoying these otherwise free stories are regular subscribers. It’s got to the point where all three Escape Artist podcasts will have to shut down at the end of the year if they can’t increase their incomes. This would be a tragedy, because they’re awesome. So rather than remembering to make a once a year donation, I’ve just gone in and signed up as a regular monthly subscriber to all three. You can subscribe with as little as US$2 a month. That’s US$6 a month for all three. That’s not even two cups of coffee!
And no, they’re not paying me to say all this. Pseudopod published one of my stories and I hope all three podcasts are around long enough to publish more of my work. I’m just sharing their appeal because I love these podcasts, I wish more people would listen and I really wish more people would subscribe.
It’s as easy as clicking a PayPal button. If you’re a regular listener, go and sign up. If you’ve yet to discover the joys of Escape Artists, go now, subscribe for $2 a month and cancel your subscription if you decide it’s not worth. I bet you won’t.
Pseudopod is here (horror).
Escape Pod is here (sci-fi).
PodCastle is here (fantasy).
Go get some awesome short fiction in your listening holes.
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All Hallow’s Read 2013
All Hallow’s Read is a new tradition. It was started a couple of years ago by Neil Gaiman and the concept is very simple: On Halloween, or during the week leading up to Halloween, give someone a scary book.
Brilliant.
You can learn all you need to know here: http://www.allhallowsread.com/ But honestly, I’ve already told you all you really need. So I thought I’d get the ball rolling a little bit early this year. I’ve got a book giveaway at the end of this post, but had some other ideas too, so read on.
The idea is to give people an actual book as a gift, which is about the best gift you can ever give, for any reason. But we live in a world where some books are made of magic digibits and that makes them even easier to give away. Fuck yeah, the future! And there are lots of scary short stories out there in digibitland that are even easier to give away, by simply sharing a link. So listed below are a few of my scary stories that are free to read online. After that, I’m giving away actual solid papery books.
Here are the online scares you might like to investigate – click the titles to read:
THE DARKEST SHADE OF GREY
A journalist carrying the weight of unwanted paranormal powers tries to find direction and catharsis by investigating the plight of a strange homeless man. This is a novelette, serialised in 4 parts at The Red Penny Papers. It’s also available as an ebook via Amazon or Smashwords – and you can gift Kindles these days, so you can use this as one of your All Hallow’s Read gifts if you like.
CROSSROADS & CAROUSELS
A young blues player meets a strange, enigmatic guitarist one hot summer night who makes him a frightening offer. Short story published at The Red Penny Papers.
THE GOODBYE MESSAGE
A troubled writer starts receiving messages he can’t understand. Short story published at Ticon4.
THE SEVEN GARAGES OF KEVIN SIMPSON
A woman’s father leaves her a strange legacy after his death and, as she investigates, she uncovers disturbing possibilities about his past. A short story originally published as a podcast by Pseudopod, episode 242, subsequently reprinted in the Dark Pages 2 anthology from Gryphonwood Press and free to read right here on my site (click the title above).
So that’s three short stories and a novelette to get you started – feel free to give them away.
As for the papery book giveaway, I’m going to give away a copy of Dark Rite, the short horror novel I co-wrote with David Wood, a copy of RealmShift and a copy of MageSign. Here’s how the giveaway will work – leave a comment on this blog post with your recommendation of a scary read for Halloween – it can be something free online, a book, a graphic novel or comic. Anything, as long as it’s scary and something you read. In the week leading up to October 31st, I’ll select three random commenters and send them one of the above three books (again randomly selected).
Share this post around, tell your friends and let’s see if we can get a good list of scary reading recommendations in the comments.
Go on, get commenting and reading and giving away and scaring.
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Write the Fight Right digital course on sale
A while back I collaborated with Joanna Penn to make my Write the Fight Right workshop into a multimedia digital course available online. At the moment, Jo is running a sale on a bunch of her online courses, and mine is included. Between now and October 13th, all the included courses are 20% off.
They are all multimedia – with PDF material, audio MP3s and in some cases, videos for viewing online or downloading to your computer. The material is extensive and is aimed at helping answer all your questions about the topic.
You can learn all you need to know here.
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Year’s Best contributor copy in my paw
This arrived today and it makes me very happy. It includes a reprint of my story, Tiny Live, originally published at Daily Science Fiction. And it’s an honour to share the pages with so many other amazing authors and their work. This is the third Year’s Best Fantasy & Horror volume from Ticonderoga Publications and it’s a truly brilliant series. I was lucky enough to have a story reprinted in volume 1 as well. I can’t recommend these books highly enough. If you want a truly astounding cross-section of Australian fantasy and horror short fiction, plus essays from the editors Liz Grzyb and Talie Helene on the industry, plus a recommended reading list of stuff they couldn’t fit in the actual book, you’ll do well to drop some sheckels on these.
You can get the hardcover or trade paperback here or search it up via Amazon, etc. To prove I’m not joking about the quality, here’s the contents of just this latest volume:
The contents are
- Joanne Anderton, “Tied To The Waste”, Tales Of Talisman
- R.J. Astruc, “The Cook of Pearl House, A Malay Sailor by the Name of Maurice”, Dark Edifice 2
- Lee Battersby, “Comfort Ghost”, Andromeda Spaceways Inflight Magazine 56
- Alan Baxter, “Tiny Lives”, Daily Science Fiction
- Jenny Blackford, “A Moveable Feast”, Bloodstones
- Eddy Burger, “The Witch’s Wardrobe”, Dark Edifice 3
- Isobelle Carmody, “The Stone Witch”, Under My Hat
- Jay Caselberg, “Beautiful”, The Washington Pastime
- Stephen Dedman, “The Fall”, Exotic Gothic 4, Postscripts
- Felicity Dowker, “To Wish On A Clockwork Heart”, Bread And Circuses
- Terry Dowling, “Nightside Eye”, Cemetary Dance
- Tom Dullemond, “Population Management”, Danse Macabre
- Thoraiya Dyer, “Sleeping Beauty”, Epilogue
- Will Elliot, “Hungry Man”, The One That Got Away
- Jason Fischer, “Pigroot Flat”, Midnight Echo 8
- Dirk Flinthart, “The Bull In Winter”, Bloodstones
- Lisa L. Hannett, “Sweet Subtleties”, Clarkesworld
- Lisa L. Hannett & Angela Slatter, “Bella Beaufort Goes To War”, Midnight And Moonshine
- Narrelle M. Harris, “Stalemate”, Showtime
- Kathleen Jennings, “Kindling”, Light Touch Paper, Stand Clear
- Gary Kemble, “Saturday Night at the Milkbar”, Midnight Echo 7
- Margo Lanagan, “Crow And Caper, Caper And Crow”, Under My Hat
- Martin Livings, “You Ain’t Heard Nothing Yet”, Living With The Dead
- Penelope Love, “A Small Bad Thing”, Bloodstones
- Andrew J. McKiernan, “Torch Song”, From Stage Door Shadows
- Karen Maric, “Anvil Of The Sun”, Aurealis
- Faith Mudge, “Oracle’s Tower”, To Spin A Darker Stair
- Nicole Murphy, “The Black Star Killer”, Damnation And Dames
- Jason Nahrung, “The Last Boat To Eden”, Surviving The End
- Tansy Rayner Roberts, “What Books Survive”, Epilogue
- Angela Slatter, “Jimmy Dean, Jimmy Dean”, This Is Horror Webzine
- Anna Tambour, “The Dog Who Wished He’d Never Heard Of Lovecraft”, Lovecraft Zine
- Kyla Ward, “The Loquacious Cadaver”, The Lion And The Aardvark: Aesop’s Modern Fables
- Kaaron Warren, “River Of Memory”, Zombies Vs. Robots
Go get some!
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Lakeside Circus, Short fiction and other oddities
I’m very happy to report that my new short story, All the Wealth in the World, will be in the inaugural issue of a new digital magazine from Dagan Books called Lakeside Circus. It’s a short-form speculative fiction magazine, published quarterly. Beginning late in 2013, the mag will be for sale in multiple ebook formats, and then most of the content will be released online over the course of three months (free to read). Readers can subscribe, purchase the individual ebooks, or wait for the free content to appear on the site.
Lakeside Circus aims to publish 200,000 words of new flash fiction, short stories and poetry every year. They’re currently running a subscription drive to get the word out. If you subscribe now, you can get the first year for only $20. Even better, if you purchase your subscription before November 15, the first issue will be delivered a week early. Before anyone else can buy the magazine or begin to read online, you’ll have an entire quarter’s worth of short stories, flash fiction, and poetry, including work by:
Dean Fracis Alfar, C.S.E. Cooney, Trevor Shikaze, Ada Hoffmann, Mike Allen, Alan Baxter, Lucas Ahlsen, Cate Gardner, Jill Corddry, Rachael Acks, Conor Powers-Smith, Andrew Williams, Lisa Bradley, John Murphy, Dan Campbell, Gitte Christensen, Megan Arkenberg, Rich Larson, Jon Arthur Kitson, David Sklar, Andrew Gilstrap, FJ Bergmann, Virginia Mohlere, Michael Haynes, John Skylar, HL Fullerton, Sofia Samatar, Eric Rosenfield, Jamie Lackey, Bonnie Stufflebeam, Bryan Thao Worra, and more!
(That’s my own self-indulgent bit of bolding up there.)
You can learn more here: http://lakesidecircus.com/
Great Inspiration with Andrew McKiernan
Since I wrote this post about a moment of great inspiration I wasn’t even aware of at the time (when I met Neil Gaiman in 1989), I’ve been hosting some guest posts from other writer friends where they share their moments of equally great inspiration. You can read all the posts so far under the Great Inspiration category here. Today we have a tale of library magic from Andrew McKiernan:
It is impossible for me to separate my desire and inspiration for writing from my original desire and inspiration to read. They both stem from the same source.
When I was a kid, my grandmother was the cleaner for our local public library. I think I went with her a couple of times when I was really young, maybe five years old, but all I did then was make pretty patterns with date-stamps on blank loan cards. Our family moved away for a few years, then came back into the area when I was 9. By that time I’d moved on from mashing date-stamps to Little Golden Books and non-fiction about dinosaurs and space. I hadn’t really read much fiction.
So, I’m 9 yrs old, and two or three nights a week my grandmother would drop by to pick me up. She’d take me with her to the library and I could just hang around while she cleaned. To my 9yr old self, was very different to what I’d experienced 4 yrs before. Picture it. It’s night and the library is closed. Empty. The lights are all off but for a few dim security signs. And all around me, from wall to ceiling and row upon row, are books. So many books!
I wanted to read them all. I wanted to be the sort of person who wrote them.
The main pleasure for me — apart from the awe of being so small in such a large, dark place — was the freedom I had. I knew there was an ‘Adult’ section of the library that I was too young to borrow from. And the strange ‘Adult Reference’ section, whose books were so important that nobody could borrow them and they weren’t allowed to be taken from the library at all! On cleaning nights, these sections were mine and mine alone. My grandmother lay no restrictions upon me. She (with full knowledge of the librarians) allowed me to borrow any book I wanted. Any book!
It was in those years (between ages 9 and 12) that I discovered Charles Dickens and Robert E Howard and HP Lovecraft. Most importantly, I discovered a copy of a book that I knew was ‘NOT FOR KIDS’. My mum had read it. My uncle and aunt and grandmother had read it. I’d seen them with it a few years before and the girl with the bloody face on the cover intrigued me like no other book. When I finally found a hardcover copy of Stephen King’s Carrie, the exact same bloody-girl was on the cover. I sat down in the dark between two aisles. Alone. Surrounded by books. I carried a small torch with me and I used it see the pages. I began to read.
I think it was there, at that moment, that I knew I wanted nothing more in life than to tell stories and to read the stories of others.
Libraries will always be a very special place for me. Every one I enter, I imagine what it would look like at night, in the dark. How the ambient light might illume a few feet in front of you. The lined-up spines of books moving past you in the darkness as you walk the aisles. How the lack of vision makes the books smell so much more pungent. So enticing.
And, just like when I was a kid, I imagine that one of the books on that library shelf just might be mine.
Andrew McKiernan is a writer and illustrator. You can read all about him on his wikipedia page here.
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Ecstatic to announce my three book deal with HarperVoyager Australia
There is no doubt in my mind that October 2013 will live on as possibly the most amazing month of my life. Not only is my first born child due at the end of this month, which is amazing enough news on its own, but I’ve just signed a deal with Harper Collins Australia for their Voyager imprint to publish my new trilogy in the second half of next year. Honestly, I’m bouncing off the walls here. Never has so much Snoopy dancing been done.
This news has been burning me from the inside out while the deal has been negotiated, so it’s an incredible relief to finally be able to announce it publicly. The trilogy is the start of The Alex Caine Series. If it does well, there could certainly be further Alex Caine books in the future. Voyager are looking to publish all three books throughout Australia and New Zealand through the second half of next year, between July and December. The books are modern grim dark fantasy thrillers called Bound, Obsidian and Abduction. They follow the trials of an underground MMA fighter, Alex Caine, and his introduction to a world of magic, monsters, mayhem and life-threatening danger he could never have imagined. That’s all I’m going to say about the books for now, but I’ll certainly be talking a lot more about this series as things progress.
I want to thank my amazing agent, Alex Adsett, for her hard work on this, and the wonderful Rochelle Fernandez at HarperVoyager. I also need to thank three very special people who helped me turn the books from good idea into publishable gems. Firstly, the late, great Paul Haines. I wish he was still here for so many reasons, but not least of which to share this. He was the first person to critique the original manuscript of Bound, even as he was fading to cancer, and he ripped that thing to pieces and helped me make it so much better. I miss you, Haines – thanks, mate. I also need to thank Angela Slatter and Jo Anderton, who subsequently read, critiqued, flensed and cajoled me about both Bound and Obsidian, to really turn those books into something of which I can be very proud.
And above and beyond all that, I have to thank my fantastic wife, Halinka. She puts up with me and believes in me all the way. Extra special thanks are due because I’ve been a fucking mess while this deal was being sorted out and she not only supported me through that, but did so while heavily pregnant! Amazing woman.
So I couldn’t be more excited to be working with HarperVoyagerAU. With any luck, the series will sell into other territories too, as I would obviously love to see it released in the US and UK as well, and then the world! But for right now, I’m having trouble peeling myself off the ceiling with this tremendous news. Please excuse me, while I Snoopy dance into a wall. Again.
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Great inspiration with Jason Franks
Since I wrote this post about a moment of great inspiration I wasn’t even aware of at the time (when I met Neil Gaiman in 1989), I’ve been hosting some guest posts from other writer friends where they share their moments of equally great inspiration. You can read all the posts so far under the Great Inspiration category here. Today we have a tale of discovery from Jason Franks:
A Writer of Earthsea
For my ninth birthday, some kind soul gave me a book called Over the Rainbow: Tales of Fantasy and Imagination. This was an anthology comprised of individual chapters taken from the works of J.R.R. Tolkein, Alan Garner, L. Frank Baum, C.S. Lewis, H.G. Wells, and others. I had been working through Enid Blyton’s catalogue over the preceding couple of years, so this gift was perfectly judged. I don’t remember who gave me the book, but I sure as hell remember the stories it contained. I still have my copy.
Over the Rainbow was full of amazing work, but the piece that had the biggest and most immediate effect on me was “Warriors in the Mist”, from Ursula Le Guin’s novel A Wizard of Earthsea. It was a happy day when I found the complete book in my local library. I devoured it whole, and then immediately went on its first sequel, The Tombs of Atuan.
I’ve revisited the Earthsea books–the original trilogy and the newer volumes–a number of times throughout my life, and each time I have discovered new wisdom in them, for all their taut plotting and slender spines. These novels were written for children, but they are not in the least bit childish. Le Guin treats her readers as adults, never lecturing or sugar-coating, and her prose remains singularly beautiful. The Earthsea cycle stayed with me because it challenged me in ways that other children’s fiction did not. Once I was done with it I moved on to the general fiction area of the library and I have seldom looked back.
Not only do the stories Le Guin presents prefigure my own concerns as a writer, but they in many ways parallel my writer’s journey. In A Wizard of Earthsea, the hero, Ged, engages with many of the usual tropes of fantasy literature–defending the village, fighting the dragons, travelling off the map, and so on–but there’s never a sense of glory to his victories. This is not a book about good versus evil. Ged does not undertake a quest to stop some cosmic threat: Earthsea is built on Taoist principles and the narrative soon turns away from the expected progression of events. Despite his accomplishments, Ged is forever scarred by his early mistakes. This book is about the hero coming to terms with his own personal failings.
As I have started to meet my writing goals–first acceptance, first cheque, first time in print, first solo title–I have found little relish in the victories. By the time I have attained one goal I am already fixated on the next. This is the lesson of Earthsea: the shadow that pursues you does not care about what you have already achieved. Your story isn’t over until you turn and face it.
Jason Franks writes comics, prose and source code. His first novel, Bloody Waters, was short-listed for an Aurealis Award. He is the author of the Sixsmiths and McBlack graphic novels. Find him online at www.jasonfranks.com.
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Midnight Echo 10 cover reveal
Remember last week when I posted about how happy I was to have not one but two stories in the next issue of Midnight Echo? Well, they’ve now revealed the fantastic Vincent Chong cover and isn’t it a thing of beauty? And there’s my name, right there on the cover. That’s twice I’ve had the honour of seeing my name on a Midnight Echo cover, as I was in the last issue too (I was also in issue 6, but didn’t get my name on the front that time!) So much Snoopy dancing going on.
In case you forgot already, here’s the fantastic table of contents for this issue:
Midnight Echo 10 Table of Contents:
Literature
Lunch by Joseph A. Pinto
Crybaby Bridge #25 by Gary A. Braunbeck
Stillegeist by Martin Livings
I Want to Go Home by A.J. Brown
Tourist Trap by Richard Farren Barber
Blood and Bone by Robert Mammone
Exposure Compensation by Alan Baxter
Stinson Way: A Southern Gothic by Jacob Lambert
A Little Peace by Rebecca Fung
Mother’s House by Greg Chapman
Comic
Allure of the Ancients; The Key to His Kingdom – story by Mark Farrugia, illustrations by Greg Chapman
Special Features
An interview with Victor Miller
AHWA Short Story and Flash Fiction Competition winners –
It’s Always the Children Who Suffer by Alan Baxter
Darker by Zena Shapter
Moonlight Sonata by Tim Hawken
Regular Features
A Word from the AHWA President – Geoff Brown
Tartarus – Danny Lovecraft (poetry column)
Pix and Panels – Mark Farrugia (comic column)
Black Roads, Dark Highways #5 – Andrew McKiernan (column)
Celluloid Nightmares – Mark Smith-Briggs
Sinister Reads (all the latest releases from AHWA members)
So much good stuff! Get your pre-order in here.
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Five word sentences
I found this on Tumblr and had to share it here too. It’s a fantastic piece, so simply, and yet so well, put.
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.”
Gary Provost
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